摘要
人类危机跟后人类思想波及了与其密切相关的人文学术研究领域。电影作为一种大众文化,也在发生微妙的变化。本文试图阐释在后人类思潮影响下,电影作品主题表现与思想内核的变化,从后人类与电影类型的关系出发,思考后人类对电影类型的影响。后人类思潮不仅能够反映出多元的文化特质,而且作为一种方法能够帮助我们较好地理解相关电影作品。同时,后人类思潮还有益于帮助创作者发散思维,制作出符合当下时代特质与文化的电影作品。
The human crisis and the posthuman concept rippled through the closely related field of academic research in Humanities.As a kind of popular culture,Cinema is also undergoing subtle changes.This paper tries to explain the changes in the thematic expression and ideological kernel of film works under the influence of the posthuman thought,and to think about the influence of posthumanity on film genres from the relationship between posthumanity and film genres.Posthumanism is not only able to reflect diversified cultural qualities,but also as a method to help us better understand related film works.At the same time,posthuman thought is also useful for creators to diverge their thinking and produce film works that are in line with the characteristics and culture of the current era.
关键词
后人类
赛博格
电影
方法论
posthumanity
cyborg
cinema
methodology
