《诗创造》中木刻图像的“民主诗学”想象

The"Democratic Poetics"Imagination of Woodcut Images in Poetry Creation

诗人曹辛之主编的刊物《诗创造》在四十年代后期产生了重要影响。在对民主的追求中,《诗创造》对诗歌未来的发展方向展开了探索,要更为准确地把握刊物及编者的观念,必须回到历史材料中关注被忽略的副文本。《诗创造》的“民主诗学”观念通过木刻作品得以表现,它坚持人本主义,以“创造性”的劳动者木刻表现对文艺个性真实的追求,进而表现“美、爱与自由”的理想,期待以美的文艺重塑国民灵魂。区别于唯美主义者,具有宗教色彩的木刻表现了《诗创造》对现实生命的关怀,在“为人生”传统的影响下,《诗创造》收录了具有民间风味的木刻与诗歌,以求“人的文学”与“人民文学”的综合,实现“不同中求和谐”的民主诗学理想。

The journal Poetry Creation,edited by the poet Cao Xinzhi,had an important impact in the late 1940s.In the pursuit of democracy,Poetry Creation explored the future development direction of poetry,and in order to grasp the ideas of journals and editors more accurately,it is necessary to return to historical materials and pay attention to the neglected subtexts.The concept of"democratic poetics"in Poetry Creation,expressed through woodcut works,adheres to humanism,and uses"creative"laborers'woodcuts to express the pursuit of the true personality of literature and art,and then expresses the ideal of"beauty,love and freedom",looking forward to reshaping the national soul with beautiful literature and art.Different from the aesthetes,the woodcuts with religious colors show the concern of Poetry Creation for real life,and under the influence of the tradition of"for life",Poetry Creation includes woodcuts and poems with folk flavor,in order to seek the synthesis of"human literature"and"people's literature"and realize the democratic poetics ideal of"seeking harmony in difference".