摘要
文旅演艺作为文旅融合发展的重要形式,凭借其对地域文化的显性呈现,逐渐成为民族文化遗产传承发展与民族区域城市化的重要载体。通过对2023年中国楚雄彝族火把节的核心文旅演艺产品《梦回太阳历·火之源》的深入分析发现:文旅演艺通过“民族符号”“仪式互动”与“沉浸空间”的内在整合与外在包装环节实现民族非遗节庆的文旅产品化重塑,并进一步通过“感官刺激”“情感共鸣”“文化认同”的文化感知递进层次构建民族文化认同,为熔铸中华民族共同体意识探索了有效路径。但在反思视角下,作为携有娱乐基因的演艺活动也应注重民族文化原真性的保留,规避“旅游者凝视”下的民族内核文化的“失语”。
As an important form in the integration and development of culture and tourism,cultural tourism performing arts have gradually become an important carrier for the inheritance and development of ethnic cultural heritage and the urbanization of ethnic areas by virtue of their distinctive presentation of regional culture.By analyzing the core cultural tourism performing arts production Dreaming back to the Solar Calendar–Source of Fire of the Chuxiong Yi Torch Festival 2023 in China,this study finds that the cultural tourism performing arts have realized the reshaping of culture and tourism through the inner integration and outer packaging of“national symbols”.The cultural tourism performance realizes the reshaping of culture and tourism through the internal integration and external packaging of“national symbols”,and constructs the identity of“national cultural identity”through the cultural perceptions of“sensory stimulation”,“emotional resonance”and“cultural identity”.This case points out an effective direction for the casting of Chinese national community consciousness.However,from the perspective of reflection,as a performing arts activity with entertainment genes,attention should be paid to protecting the originality of national culture and avoiding the“loss of words”of national core culture under the“tourists’gaze”.
作者
刘畅
林子涵
宋旸
LIU Chang;LIN Zihan;SONG Yang(Department of Stage Art,National Academy of Chinese Theatre Arts,Beijing 100073)
出处
《楚雄师范学院学报》
2024年第2期122-129,共8页
Journal of Chuxiong Normal University
基金
国家社会科学基金艺术学重大项目“新中国舞台美术发展史研究”(20ZD22)。
关键词
民族节庆
非遗
文旅演艺
民族文化认同
ethnic festival
intangible cultural heritage
cultural tourism performing arts
ethnic-cultural identity