实践存在论美学的开放视阈与建构之维

Open Visual Threshold and Construction Dimension of Practical Ontology Aesthetics

朱立元的实践存在论美学既坚守“实践”的美学立场又从思维的维度辨析、重构了实践美学,其以“实践存在论”的美学视域,“关系生成论”的美学格局,“现实”性的美学视野实现了对实践美学的创新突破,且在创新发展的过程中形成了超越二元对立思维的崭新思维方式。其不仅成为推动实践美学多元发展格局中的重要一维,也为中国当代美学的发展找到了新的突破方向,激发了中国当代美学发展的活力与生命力。

Zhu Liyuan's practical ontology aesthetics not only persist in the aesthetic standpoint of “practice”,but also distinguishes and constructs practical aesthetics from the dimension of thinking.It has achieved an innovative breakthrough in practical aesthetics with the aesthetic vision of “practical ontology”,the aesthetic pattern of “relationship generation theory” and the aesthetic vision of “reality”.In the innovation and development of practical aesthetics,a new mode of thinking beyond the binary opposition thinking has been formed,which has become an important dimension in promoting the diversified development pattern of practical aesthetics and a new breakthrough for the development of Chinese contemporary aesthetics,stimulating the vitality of the development of Chinese contemporary aesthetics.