摘要
《悠悠岁月》看似是一部记录时间流逝的作品,实则通过闪回、重复、空间并置、视点转换等叙事手法建构起了立体的空间结构,生动勾勒出作家安妮·埃尔诺的个人肖像和其所处的社会场景,旨在展现法国现代人的精神困境。小说蕴含的空间叙事艺术有助于读者理解约瑟夫·弗兰克、加布里尔·佐伦等人的空间叙事理论,而空间叙事理论又能深入揭示埃尔诺如何运用“无人称自传”的体裁来恢复历史的真实面貌,唤醒同代人的集体记忆,以此对抗精神危机、获得身份认同感和归属感。
Les Années seems like a work recording the passing of time,but it has actually constructed a stereoscopic spatial structure by the narrative techniques such as flashback,repetition,spatial juxtaposition,transformation of perspective,etc.,which vividly outlines Annie Ernaux’s personal portrait and the social environment she belongs to,aiming to demonstrate spiritual predicament of modern French.The spatial narrative art contained in the novel is helpful to understand the spatial narrative theory of Joseph Frank,Gabriel Zoran,etc.Meanwhile,the spatial narrative theory can further reveal how Ernaux employs the literary genre of impersonal autobiography to restore real history and revive the collective memory of her generation,so as to confront spiritual crisis as well as to find identity and the sense of belonging.
作者
黄秀国
李慧娴
HUANG Xiuguo;LI Huixian(School of Translation Studies,Shandong University,Weihai 264209,China)
出处
《浙江外国语学院学报》
2024年第1期101-106,共6页
Journal of Zhejiang International Studies University
基金
教育部人文社会科学研究一般项目“东南亚华人流散文学中的中华文化共同体的构建与演变研究”(22YJA752008)。
