摘要
江道莲是中国澳门最早的土生葡人女作家,她的短篇小说集《旗袍》被称之为中国澳门女性文学的滥觞。江道莲以女性视角为切入点,通过26则短篇故事展现了20世纪30年代至50年代华人女性在战争与动荡背景下的生活画卷,塑造了一系列生动的,具有典型意义的女性形象。文章基于女性主义批评角度,分析《旗袍》中主要的三类女性形象,挖掘这些女性形象的形成与当时社会文化背景之间的内在联系。通过解读江道莲对女性形象的建构,探析其女性观,为读者理解她的作品提供全新的视野。
Jiang Daolian is the earliest Macao-born Portuguese female writer,and her collection of short stories“Qipao”is regarded as the origin of Macao’s feminine literature.Through 26 short stories,Jiang Daolian takes a female perspective as the starting point and portrays the lives of Chinese women in the 1930s and 1950s against the backdrop of war and turmoil,creating a series of vivid and typical female images.Based on the perspective of feminist criticism,the article analyzes the three main types of female images in“Qipao”.It explores the internal connection between the formation of these female images and the sociocultural background of the time.Readers will gain a fresh understanding of her works by interpreting Jiang Daolian’s construction of female images and exploring her views on women.
作者
徐月圆
XU Yue-yuan(Anhui Normal University,Wuhu 241002,China)
出处
《哈尔滨学院学报》
2024年第4期91-95,共5页
Journal of Harbin University
基金
安徽师范大学2021年度校级科研项目,项目编号:2021xjxm008。
关键词
江道莲
土生文学
女性主义
Jiang Daolian
native Macao literature
feminism