“技巧隐形”:安德烈·巴赞的电影语言论

“Invisibility of the Technique”: André Bazin’s Theory on the Langue of Film

安德烈·巴赞是电影“技巧隐形”观念的重要倡导者。作为新现实主义电影美学的重要阐释者,安德烈·巴赞推崇电影语言运用中的技巧的隐形,与此相应,安德烈·巴赞在他的电影评论中,表现出了对情节的消失、故事的消失、演员的消失、场面调度的消失等方面的赞赏。安德烈·巴赞的这些观点,既与他对新现实主义美学风格的追求有关,也出于他对某种“技巧隐形”观的激情赞赏。安德烈·巴赞把新现实主义的语言策略和叙事风格视为是一种没有技巧和痕迹的风格追求,通过透明含混的能指系统和了无痕迹的电影语言运用来实现新现实主义的电影风格。安德烈·巴赞对“技巧隐形”的追求,体现了对审美原则的坚持和对艺术价值的尊重。

AndréBazin is an important advocate of the idea of“invisibility of the technique”in films.As an important interpreter of the Neorealist film aesthetics,AndréBazin advocates the invisibility of technique in the use of film language.And correspondingly,he expresses his appreciations for the disappearance of plot,story,actors and mise-en-scène(the arrangement of scenery and stage properties)in his film reviews.Bazin’s views are both related to his pursuit of the neorealist aesthetic style and his earnest admiration for the“invisibility of the technique”.AndréBazin regarded the language strategy and narrative style of Neorealism as a stylistic pursuit without any technique or trace,achieving the Neorealist film style through a transparent and ambiguous signifier system and the use of traceless film language.AndréBazin’s pursuit of“invisibility of the technique”reflects his adherence to aesthetic principles and respect for artistic value.