岷江上游地区阿尔麦人的音乐行为阐释——以黑水县木都村的民俗音乐活动为例

An Interpretation of Tibetan People’s Music Behaviors in the Upper Reaches of the Minjiang River:A Case Study of the Folk Music Activities in Mudu Village, Heishui County

音乐作为人群表达生活情感与表征文化内涵的艺术形式,是以人们的具体行为或表演实践得以呈现的。音乐行为作为人类社会行为的重要组成部分,与百姓日常生活中的民俗习惯、族群性格具有重要关系。借助音乐表演民族志身体记忆的理念可知,阿尔麦人音乐表演中的音乐行为是基于生态情境、信仰崇拜、尚武精神而形成的肢体行为,并在体化实践中内化为身体记忆。阿尔麦人的音乐表演空间看似欢愉和谐、理性有序,实则潜伏着危险与癫狂。

Music,as an artistic form for expressing emotions and cultural connotations among people,is presented through specific behaviors or performance practices.Music behaviors,as an important component of human social behavior,is closely related to the folk customs and ethnic characters of the people in their daily lives.By referring to the physical memory in the performance of ethnographic music,it can be inferred that Tibetan people’s musical behaviors during the music performance are physical behaviors developed in the ecological context,and belief worship and admiration for martial spirits,which have been internalized as the physical memory in practice and thus their music performance sites may seem joyful,harmonious and rational,and actually there also lurk danger and insanity.