烟火璀璨、霞雾氤氲——论《烟霞里》的精神图景

Sparking Smoke and Hazy Clouds:On the Mental Picture of Yanxia Li

在《烟霞里》中,魏微对1970一2011年间的故乡风景与情感记忆、时代风潮与生命体验、日常生活与个体感受进行细绘与深描,打开了一幅“三千里山河故园,四十载人世编年”的图景。在这部“群像式”作品中,跳跃的叙事时空与潜伏的情感羁继交融结合,独特的线性编年体结构与鲜活的个人生命史对撞冲击,平凡人生的浩荡日常与时代肌理交相辉映。从这个意义而言,可将《烟霞里》视为“烟”和“霞”两赋。烟,是实地,指“人间烟火”;霞,是虚感,指“历史霞雾”。由此为路径,以“逃、欲、熬”为观照点,可以深入阐释小说的三个核心所指乡村记忆、个体与时代的相互映照、日常生活,同时可探究“70后”写作的现实意义和时代表征,以及“走向经典”的可能性。

In Yanria Li(In the Clouds),Wei Wei paints and describes in detail the hometown scenery and emotional memories,the trend of the times and the experience of life,the daily life and the feelings of the individuals during the period from 1970 to 20i1.Yanzia Li can be regarded as two rhapsodies,"Yan"(Smoke)and"Xia"(Clouds).Smoke represents the worldly experience,referring to the"cooking smoke from houses,"while clouds represents the virtual sense,referring to the"clouds of history".