意象与拟像

Imageryand Simulacrum

意象是中国古典美学的核心概念,现代意象美学占据着中国美学的理论前沿。“意象”本身具有一种普适性,在西方艺术哲学中可称为“拟像”,因为中国的意象论和西方(德勒兹)的拟像论在内涵上是相同的,皆为传达宇宙万象之源的“永恒的神秘”。这种“永恒的神秘”,在中国即“道”,在西方即哲学本体论意义上的本体。借助拟像论的思想资源,我们可以更丰富圆满地阐发中国本有的意象论,从而使意象通过拟像转化为一个具有现代意义的美学概念,焕发出现代光芒。

Imagery is the core concept of classical Chinese aesthetics,and modern imagery aesthetic-sstands at the theoretical forefront of Chinese aesthetics."Imagery"itself has universality and can be called"simulacrum"in Western philosophy of art,as the imagery theory in China and the simulacrum theory in the West(Dilles Deleuze)have the same connotation,namely the"eternal mystery"of the origin of all things in the universe.With the intellectual resources of Western simulacrum theory,we can more richly and perfectly elucidate China's indigenous imagery theory,so that imagery can be transformed into a modern aesthetic concept with modern significance.