“中国故事”再出发:近年来国产电影的美学转向与类型再造

A New Chapter in the Chinese Story:The Aesthetic Turn and Genre Reconstruction of Domestic Films in Recent Years

任何重大社会事件都会对所处时代的文艺思潮及艺术实践带来不同程度的必然影响。随着当前社会主流价值观引领下多元文化复合语境的持续深化,国产电影在宏观文化需求和大众审美消费的双重效力下,原有的类型叙事格局也随之被打破。话题更新、题材拓容、情节拼搭、主题嫁接等电影创新路径,进一步明确了通过类型再造实现叙事创新文化迭代的可能性,强化了当前国产电影审美表达的主体意识。国产电影的美学转向既是特殊时期特定文化语境下最为直接的艺术创作反应,也是现阶段文化思潮在电影类型再造及观众审美文化接受层面的鲜明表征。

The literary and artistic practice of any major social event inevitably undergoes varying degrees of influence.In the current society,characterized by mainstream values and a deepening multicultural context,the original narrative pattern in domestic films has been disrupted due to both macro cultural demands and mass aesthetic consumption.Through genre reconstruction,film innovation paths such as topic updating,theme expanding,plot splicing,and theme grafting have elucidated the potential for narrative innovation and cultural iteration while reinforcing the subject consciousness of aesthetic expression in contemporary domestic films.Consequently,the aesthetic shift observed in these films not only represents a direct artistic response within a specific cultural context but also serves as a distinct manifestation of prevailing cultural trends in film genre reconstruction and audience’s acceptance of aesthetic culture.