明代高石山房本《新编目连救母劝善戏文》文图关系研究

A Study on the Relationship between Text and Images of the New Compilation of the Theater Text of Mu Lian Saving His Mother and Encouraging Goodness of the Gaoshi Shanfang Edition in the Ming Dynasty

郑之珍高石山房本《新编目连救母劝善戏文》插图被视为徽派版画分水岭,包含丰富的图文互动关系。文本高雅化和插图剧场化使得正在向新士人阶层转变的徽商群体能够快速理解和接受,其文图转译本质实际上是目连救母故事文本与版画图像共同建构的现实与虚拟时空体验,这也使得其在纸上搬演成为可能。