清末民国海派京剧赴汉口演出及其影响研究

Performance and Influence of the Shanghai School of Beijing Opera in Hankou During the Late Qing Dynasty and the Republic of China

清末民初“客戏”京剧在汉口剧坛站稳脚跟,这既与上海的连台本戏、时装新戏在汉口强势输入有关,也与髦儿戏女伶的登台亮相密不可分。汪笑侬、吕月樵、夏月润、夏月珊、周信芳等名角以及众多坤伶的演出,不仅奠定了京剧在汉口剧坛的重要地位,而且从演出形态、市场格局、审美趣味等方面促使汉口剧坛发生了新变。

At the end of the Qing Dynasty and the dawn of the Republic of China,“Guest Drama”from Beijing Opera gained a foothold in the Hankou theatre.This phenomenon wasn't solely driven by the strong influx of Shanghai's Liantaiben Opera(a long play divided into several performances,only one or two at a time)and new fashion drama,but also intimately intertwined with the emergence of fashionable all⁃actress performances.By leveraging established actors like Wang Xiaonong,LvYueqiao,Xia Yuerun,Xia Yueshan,Zhou Xinfang,and many actresses,Beijing Opera not only carved out a significant niche in the Hankou theatre,but also triggered diverse positive changes in the area.These developments encompassed performance formats,market dynamics,and the aesthetic preferences of the audience.