《大浴女》器物叙事的范型、机制与功效

The Paradigm,Mechanism and Efficacy of the Narrative of Objects in The Bathing Women

置身于“物转向”的当代语境之下,具有诗性气质的器物书写在文学叙事中绽放着独特的艺术光彩。作为当代文学器物叙事的典范之作,铁凝的《大浴女》通过生活型器物、身份型器物和仪式型器物的分型连类书写,显示了相应社会阶层在特定历史时期个体性、亲历性的创伤记忆与情感体验。细究该作器物叙事的系统生成,外因性社会情境、内因性主体选择以及活态性文本呈现堪称三大发动机制。器物的本原性和生成性特征,使之享有调控叙事节奏、隐喻作品意旨、增显“家国同构”的艺术功效。经由器物叙事话语分析以抵达生命美学的诗意追求,对中国当代小说器物叙事的“宽窄逻辑”建构不乏启示意义。

Under the contemporary context of“object turning”,the writing of artifacts with poetic temperament has a unique artistic brilliance in literary narration.As a model work of contemporary literary artifact narration,Tie Ning’s The Bathing Women shows the individual and personal traumatic memory and emotional experience of the corresponding social class in a specific historical period through the typing and linking of life-type artifacts,status artifacts and ritual artifacts.A detailed study of the systematic generation of the artifact narrative,external social situation,internal subject selection and living text presentation can be called the three major launching mechanisms.The original and generative charac-teristics of the objects make them enjoy the artistic effect of regulating the narrative rhythm,metaphorically conveying the meaning of the novel and enhancing the artistic efficacy of“family-country isomorphism”.The poetic pursuit of the aes-thetics of life through the discourse analysis of the narration of objects is of great significance to the construction of the“broad and narrow logic”of the narration of objects in contemporary Chinese novels.