摘要
沂蒙红色题材的文艺作品,承载着沂蒙民众爱国爱党的革命历史,是传承沂蒙红色文化、弘扬沂蒙精神的重要载体。临沂作家魏然森长期坚持沂蒙红色文艺创作,从小说到非虚构文学,再到记录片、京剧与红色主题舞台剧,借助多元体裁不断拓展沂蒙红色文化呈现的广度,通过人性挖掘表现沂蒙红色文化的深度。但同时也要辩证地审视其创作的局限性,如对性与暴力的描写一定程度上落入了消费历史的窠臼,女性形象塑造带有男权文化的倾向,这都突显了当前沂蒙红色文化在传承与创新上的困境。因此作家要秉承“以人民为中心”的创作理念,以现代性的价值取向,激活革命历史题材当代审美的艺术空间,促进红色文化的创造性转化和创新性发展。
Yimeng red-themed literary works embody the revolutionary history of Yimeng people's patriotism and loyalty to the party,serving as a crucial medium for inheriting Yimeng red culture and promoting the spirit of Yimeng.WEI Ransen,a writer from Linyi,has persistently engaged in Yimeng Red literary and artistic creation,spanning from novels to non-fiction literature,as well as participating in the editing and directing of documentaries,Peking Opera performances,and stage dramas with red themes.Through employing various genres,he consistently broadens the scope of Yimeng red culture while delving into its profound essence through exploring human nature.For instance,his depiction of sexuality and violence somewhat conforms to historical consumption patterns;moreover,his portrayal of female characters tends to reflect male-dominated cultural influences.These aspects underscore the current challenges faced in terms of inheriting and innovating upon Yimeng red culture.Consequently,it is imperative for writers to adhere to a"people-centered"creative concept that embraces modern values while activating contemporary aesthetic spaces dedicated to revolutionary historical themes—thereby facilitating the transformative development and innovative evolution of red culture.
作者
宋桂花
周忠元
SONG Guihua;ZHOU Zhongyuan(College of Literature,Linyi University,Linyi 256000,China)
出处
《枣庄学院学报》
2024年第3期50-55,共6页
Journal of Zaozhuang University
基金
山东省人文社会科学联合基金项目“2023年度沂蒙精神与革命文物研究专项”(项目编号:2023-LHYM-10)
山东省社科规划项目“‘沂蒙红嫂’文本整理与本事研究”(项目编号:22CZWJ03)阶段性成果。