非遗制作、传承中的“具身性”:云南剑川木雕的田野调查

The“Embodiment”in the Production and Inheritance of Intangible Cultural Heritage:A Field Study of Jianchuan Wood Carving in Yunnan

云南剑川木雕制作、传承中的“具身性”,体现于艺人身体技术的习得、身体对于默会知识的纳入以及象征自我的情感经由身体赋予木雕生命力的动态体验等方面。随着现代技术的应用,木雕艺人的技艺、灵感、情感并不一定会被现代性所泯灭,他们在技艺呈现、传承中仍能借由活生生的身体经验、感觉与能动性转换,而使木雕产品具有鲜活的生命力。以剑川木雕为例,探讨非遗的制作、传承中的“具身性”,能够在研究视角方面实现由“物”向“人”的转变,进而促进研究视野的拓宽。

The"embodiment"of the production and inheritance of Jianchuan wood carving in Yunnan Province is reflected in the acquisition of techniques of the body,the incorporation of tacit knowledge by the body,and the dynamic experience of the emotions that symbolize the self and that give life to wood carving through the body.With the application of modern technology,the skills,inspirations,and emotions of Jianchuan wood carvers are not completely extinguished by modernity.And they are still able to bring wood carving products to life through the living physical experience,sensation,and dynamic transformation during the inheritance and presentation of their skills.Taking Jianchuan wood carving as an example to explore the"embodiment"of production and inheritance of intangible cultural heritage,we can shift from a material-centric approach to a people-oriented approach,so as to achieve the expansion of research horizon.