摘要
两宋词人生命个体在现实“不自由的生存”境遇中,发展出社会性情感和生命本质力量,由此孕育出审美需要,并通过“诗性智慧机能”在纷繁人生中生产出审美一脉,从而把生命个体经验中的创伤转化为澄明的诗意。从政治与审美的关系上看,宋词中的扬州都市文化,具有鲜明的“政治之后是审美”的意义。
In the reality of“unfree survival”,the individual life of the two Song Dynasty poets developed social emotions and the essential power of life,thus giving birth to aesthetic needs.Through the“poetic intelligence function”,they produced an aesthetic pulse in the complex life,thus transforming the trauma in the individual life experience into clear poetic meaning.From the perspective of the relationship between politics and aesthetics,the urban culture of Yangzhou in Song Ci has a distinct meaning of“aesthetics after politics”.
作者
张兴龙
徐畅
ZHANG Xinglong;XU Chang(School of Humanities and Law,Jiangsu Ocean University,Lianyungang 222005,China)
出处
《江苏海洋大学学报（人文社会科学版）》
2024年第3期68-76,共9页
Journal of Jiangsu Ocean University（Humanities & Social Sciences Edition）
基金
江苏海洋大学研究生科研与实践创新计划立项项目(KYCX2023-01)。
关键词
宋词
扬州
都市文化
审美
Song Ci
Yangzhou
urban culture
aesthetics
