中国节日影像志的民间路径与多元叙述模式

The Folk Path and Multi-Narrative Mode of Chinese Festival Image Chronicle

新世纪以来全面铺开的中国节日影像志,是继20世纪50年代至80年代“少数民族历史社会科学纪录片”之后又一个国家文化影像工程。但与之前的,以及当代的其他国家影像记录工程不同,它的根却牢牢扎在民间,从而形成了其独有的——家庭、社区和区域的多元叙事模式,并通过其特有的转化机制强化着地方对国家的认同,重塑着民间视角的多元国家形象。

Since the beginning of the new century,the full-scale Chinese festival image chronicle is another national cultural image project after the“Science Documentaries of Ethnic Minority History and Society”from the 1950s to the 1980s.However,different from previous and other contemporary national image recording projects,this very project is firmly rooted among the people,thus forming its unique multi-narrative mode of families,communities and regions,and strengthening the local identification of the nation through its unique transformation mechanism,and reshaping the diverse national image from the perspective of the people.