何以“夫余”:索离、濊、汉文化的交往交流交融

The Characteristics, Value, and Placement Path of Traditional Village Landscapes

夫余源出活动于今乌裕尔河、嫩江流域一带的“北夷”索离人。夫余国开创者、索离王子东明大约在战国时期南渡松花江(掩氵虒水),初都于今宾县庆华遗址(鹿山),庆华类型反映了这一时期夫余国的物质文化遗存。至晚至西汉中期,夫余人及其所代表的文化进一步南下至“濊地”,逐渐取代了土著居民濊人的统治和文化,在考古学上的表现是:在西团山文化的基础上,广泛吸收了北方庆华类型、南方汉文化等周边文化因素,形成了新的泡子沿类型。夫余族群与夫余文化的兴起与逐渐定型是战国秦汉时期索离人、濊人与汉人及其所代表的文化交往交流交融的产物。在当时东北地区多元族群与文化互动作用下,基本实现了区域政权组织和物质文化的整合,夫余堪称中华民族共同体在东北边疆得以形成的先声。

Traditional village landscapes are in a dilapidated,old,and bad state,scattered in modern brick and tile buildings,lacking beauty and integrity,and cannot be preserved for a long time.Simply protecting them is not enough.Embedding traditional landscapes into modern villages and establishing a unique traditional village landscape cultural area are to use the contemporary value of traditional village landscapes to create village culture,enhance village cultural heritage,gather energy,and attract talents the way out for developing the tourism industry.The establishment of traditional village landscape cultural zones is a process of creation and construction.In terms of content,the cultural landscapes that best represent the region and ethnic culture are selected,and in terms of time,traditional villages in industrial society are selected as cross sections.Traditional village landscape cultural areas should integrate multiple functions such as memory,nostalgia,tourism,commerce,local culture and education,entertainment and leisure.The establishment of cultural zones is not a burden on rural areas,but rather an improvement in rural quality and a point of economic growth.