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雕漆锦纹研究

Research on brocade pattern on carved lacquer
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摘要 雕漆锦纹是雕漆图案中的辅助纹饰,在雕漆工艺中属于“下手活”,因其常设置于主体图案的下方空隙处作为背景,故又称作“锦地纹”,起衬托和装饰作用。雕漆与木雕、玉雕等其它手工艺雕刻门类相比,雕漆剔刻的锦纹精巧细腻,个性鲜明,形式复杂多样,因此锦纹也成为雕漆工艺中最具特色的艺术元素,具有重要的研究价值。本文以故宫博物院藏元明清雕漆文物为依据,对雕漆中的锦纹进行专门研究,从雕漆锦纹的来源、审美特征、分类、画法和雕刻方法等方面展开论述,希望对雕漆工艺的传承有所帮助,为雕漆文物的修复、保护和研究积累资料。 Brocade pattern on carved lacquer is the auxiliary decoration,which belongs to the"lower handwork"in the carved lacquer process.Due to its permanently place in the lower gap of the main pattern as the background,it is also called"brocade subsurface pattern",which plays a setting and decorative role.Compared with other handicraft carving categories such as wood carving and jade carving,the brocade pattern on carved lacquer is exquisite and delicate,with distinct personality and complex and diverse forms,so the brocade pattern has also become the most distinctive artistic element in the carved lacquer,and has important research value.Based on carved lacquer relics in Yuan,Ming,and Qing dynasties in the Palace Museum,this paper makes a special study of brocade patterns on carved lacquer,discusses the source,aesthetic characteristics,classification,painting and carving methods,hoping to help the inheritance of carved lacquer technology and accumulate materials for the restoration,protection and research of carved lacquer relics.
作者 王凯飙 费博 WANG Kai-biao;FEI Bo
出处 《中国生漆》 2024年第1期9-15,共7页 Journal of Chinese Lacquer
基金 故宫博物院2020年度科研课题《故宫博物院雕漆修复技艺的传承与发展研究》(KT2020-27)。
关键词 漆器 雕漆 锦纹 剔红 lacquer ware Carved lacquer Brocade pattern Red Carved lacquer
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