论伊朗传统音乐阿瓦兹的即兴演奏——以古谢《卡尔什麦》为例

On the Improvisational Performance of Iranian Traditional Music Āvāz:A Case Study of Gūsheh-hā“Kereshmeh”

伊朗传统音乐可分为无节拍的“阿瓦兹”(āvāz)和有节拍的“扎布”(zarbī)两种类型,自由节奏的“阿瓦兹”给予演奏者广泛的即兴创作空间。事实上,即兴演奏是在一定模式下进行的,有较为完整的即兴原则、装饰技法和扩充方式。该文以古谢《卡尔什麦》(kereshmeh)为例,分析了“阿瓦兹”的即兴演奏原则、装饰技法、扩充方式,探讨了“模式化”传承下传统音乐的价值,进而认为伊朗传统音乐模式化的即兴演奏塑造且保持了音乐的民族性。

This paper delves into the principles,decorative techniques,and expansion methods of improvisational performance within the non-metered“āvāz”of traditional Iranian music.It examines the significance of traditional music within the context of standardized inheritance.