摘要
敦煌研究院与腾讯联合打造了“敦煌莫高窟官方虚拟人”莫伽瑶,其设计以“妙音鸟”敦煌迦陵频伽为原型,遵循虚拟数字人“人”的形象设计,摒弃迦陵频伽“人首鸟身”的造型,巧妙地融入服装中,弥补迦陵频伽造型特色的缺憾。莫伽瑶古朴典雅的形象塑造,曼妙婀娜敦煌舞的演绎,符合“敦煌仙子”的身份设定以及受众的审美需求。汇聚敦煌艺术的虚拟数字人莫伽瑶,既构建了敦煌艺术的魅力,也是敦煌文化的输出与弘扬。
The dunhuang research institute and tencent jointly created mo jiayao,the official virtual human in the the mogao grottoes of dunhuang,whose design takes the“wonderful sound bird”dunhuang kalavinka as the prototype,follows the image design of the virtual digital human“human”,abandons the“human head and bird body”shape of kalavinka,but skillfully integrates it into clothing to make up for the shortcomings of kalavinka's modeling characteristics.The simple and elegant image shaping of mo jiayao,along with the graceful and graceful performance of dunhuang dance,conforms to the identity setting of“dunhuang fairy”and the aesthetic needs of the audience.The virtual digital figure mo jiayao,who gathers dunhuang art,not only constructs the charm of dunhuang art,but also exports and promotes dunhuang culture.
作者
唐鸣谦
顾翠嘉
李玉鑫
TANG Mingqian;GU Cuijia;LI Yuxin(Hebei Institute of Communications,Shijiazhuang 050000,China)
出处
《鞋类工艺与设计》
2024年第9期109-111,共3页
SHOES TECHNOLOGY AND DESIGN
关键词
虚拟数字人
莫伽瑶
迦陵频伽
virtual digital human
mo jiayao
kalavinka