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“双百方针”与新中国初期版画的叙事转向

"Double Hundred Policy"and the Narrative Turn of Print in the Early Period of New China
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摘要 “双百方针”的提出蕴含了中国传统文化、哲学,以及建国初期人民审美诉求等诸多因素,其内涵是依据社会客观现实而不断丰富和变化;方针的提出对新中国版画的发展和繁荣具有重要的推动作用,在此背景下版画的叙事伦理和逻辑得以重构,从而使“风景式”和“花卉式”叙事版画得到极大发展,成为新中国版画发展的独特现象。 The proposal of the"Double Hundred policy"contains many factors,such as,Chinese traditional culture,phi⁃losophy,and people's aesthetic appeal in the early years of the founding of the People's Republic of China,and its conno⁃tation is constantly enriched and changed according to the social objective reality.It has played an important role in pro⁃moting the development and prosperity of New China print.Under this background,the narrative ethics and logic of print were reconstructed,so the"landscape"and"flower"narrative print were greatly developed,which became a unique phe⁃nomenon in the development of New China print.
作者 任慧慧 REN Hui-hui(Xiangnan University,Chenzhou 423000,China)
机构地区 湘南学院
出处 《乌鲁木齐职业大学学报》 2024年第1期37-41,共5页 Journal of Urumqi Vocational University
基金 2021年度教育部人文社会科学研究项目“新中国17年主题性版画的叙事伦理研究(1949-1966)”(编号:21YJC760061)。
关键词 叙事伦理 双百方针 新中国版画 主题性版画 narrative ethics "Double Hundred policy" the print in the period of New China thematic prints
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