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元青花绘画与中国画的色彩语言对比研究

A Comparative Research of Color Language Between Yuan Blue and White Painting and Chinese Painting
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摘要 元青花诞生于特殊的历史时期,受到众多外来文化的影响,因而在绘画内容的造型、构图、色彩等方面都呈现出些许前所未有的“异域气息”,但它毕竟存在于华夏土壤,其在绘画工具、绘画技法、绘画理念上都受到传统绘画的影响,因而在绘画语言上与中国画有着千丝万缕的联系。同时元青花绘画亦属于陶瓷绘画的范畴,它在颜料特性、工艺技术、呈现方式上都与传统纸上绘画有着天壤之别,独具特殊的绘画语言。本文主要从色彩表现、设色技法、材料特性等方面入手,探讨元青花绘画与中国画在色彩语言上的共通性与差异性。 Yuan blue and White was born in a special historical period,influenced by many foreign cultures,so in the painting content of the shape,composition,color and other aspects are presented a little unprecedented"exotic atmosphere",but it exists in the Chinese soil,its painting tools,painting techniques,painting ideas are influenced by traditional painting.Therefore,the painting language has inextricably linked with Chinese painting.At the same time,Yuan blue and white painting also belongs to the category of ceramic painting,which is very different from traditional paper painting in pigment characteristics,technology and presentation,and has a unique and special painting language.This paper mainly discusses the similarities and differences between Yuan blue and white painting and Chinese painting in color language from the aspects of color expression,color techniques,material characteristics and so on.
作者 司马周 Si Mazhou(China Academy of Art)
机构地区 中国美术学院
出处 《色彩》 2024年第3期65-67,共3页 Fashion Color
关键词 元青花绘画 中国画 色彩语言 Yuan blue and white painting Chinese painting color language
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