摘要
毕加索蓝色时期的画作具有超凡感染力,人们普遍认为画作带有浓烈忧郁情感,其蓝调的运用更成为研究焦点。对于色彩作用,当代学者从歌德突破科学性和符号象征性的色彩理论出发,以多角度展开色彩语意研究。本文将归纳色彩语意的不同论点,研究蓝色时期蓝调色彩作用及其对不同背景观者的影响,认为毕加索蓝色时期的色彩作用能跨越时代和地域,触动不同文化和经历的观者情绪。
Picasso's paintings in his blue period are extremely appealing,people are convinced that these paintings are full of melancholic emotions,making his use of blues the focus of researches.Regarding the effect of color,contemporary scholars had run the gamut from Goethe's Color Theory that had made breakthroughs in color’s scientific and symbolic natures,to Color Semantics from various perspectives.This study reviews major arguments on Color Semantics,and investigates the color effect of blues in the Blue Period and their impact on viewers with dissimilar backgrounds,concluding that the color effect of Picasso’s Blue Period can transcend eras and regions,thus eventually having power to arouse the emotions of viewers with wide variety of cultures and experiences.
作者
李永光
Li Yongguang(College of Fine Arts,Huaqiao University)
出处
《色彩》
2024年第3期80-82,共3页
Fashion Color