山阴祁氏家族曲家交游考述

Research on the Communication of Opera Artists the Qi’s

明末清初,山阴祁氏家族三代之中有案可稽的八位戏曲家,与单本、许自昌、冯梦龙、沈泰、袁于令、吕师著、陈汝元、王应遴、叶宪祖、王元寿、史槃以及山阴张氏、会稽陶氏、吴江沈氏等众多曲家,起社集会、观剧赏曲、探讨曲学问题,并通过交换曲籍丰富了家族的戏曲藏书。祁承■与曲家的戏曲活动为他的子侄辈打开了戏曲交游圈,祁麟佳、祁骏佳、祁彪佳、祁豸佳在父、伯积累的曲友基础上,扩大了这一交际圈,祁鸿孙、祁班孙、祁理孙踏入了明清之际核心曲学交流圈,参与了《南词新谱》的修订。

Among the three generations of the Qi’s in Shanyin,there are eight documented opera artists who gathered together in the late Ming and early Qing dynasties with various opera artists such as Shan Ben,Xu Zichang,Feng Menglong,Shen Tai,Yuan Yuling,Lv Shizhu,Chen Ruyuan,Wang Yinglin,Ye Xianzu,Wang Yuanshou,Shi Pan,as well as the Zhang’s in Shanyin,the Tao’s in Kuaiji,and the Shen’s in Wujiang,to appreciate opera,explore opera issues,and enrich the family’s opera collection through the exchange of opera books.Qi Chenghan’s opera activities with the artists opened up a circle of opera communication for his next generation.Qi Linjia,Qi Junjia,Qi Biaojia,and Qi Zhijia expanded this circle of communication on the basis of Qi Chenghan’s accumulated opera artists.Qi Hongsun,Qi Bansun,and Qi Lisun stepped into the core circle of opera communication in the Ming and Qing dynasties and participated in the revision of Nan Ci Xin Pu.