两首《小花园》的乐谱比较研究

Comparative Study of the Scores of Two“Xiaohuayuan”

《小花园》是最具典型性与代表性的器乐曲牌,不仅传承范围广泛,更是各乐种中的常奏曲目之一。梳理历来有关《小花园》的研究成果,可见主要聚焦在《小花园》的历史溯源方面,关于其乐谱的研究则不多。通过对比智化寺京音乐与屈家营音乐会中的《小花园》,其工尺谱旋律相同,但实际韵唱却形成不同的“阿口”(韵谱)形态,故从音高组织与时值长短等方面对比两首《小花园》的韵唱旋律,可更为有效地观其全貌,并探寻韵谱中所存留的乐学理念与文化内涵。

“Xiaohuayuan”is the most typical and representative instrumental qupai,which not only has a wide range of inheritance,but also one of the common pieces in various music types.Throughout the past research results on“Xiaohuayuan”,it can be seen that the research focus is mainly focused on the historical origin of“Xiaohuayuan”,and the research results of its scores are insufficient.By comparing Zhihua Temple Music and Qujiaying Concert“Xiaohuayuan”,the melody of the Gongche Score is the same,but the actual rhyme singing forms different“Akou”(rhyme spectrum)forms.Therefore,from the aspects of pitch organization and duration,the rhyme singing melody of the two“Xiaohuayuan”can be more effective to view its panoramic view,and explore the musicology concept and cultural connotation left in the rhyme spectrum.