摘要
The paper studies the Chapter One of Janggar sung by Janggar Rapist Arimpil from a narratological point of view in terms of characters,background and events.Arimpil sings the chapter with a combination of static and dynamic descriptions,prolepsis and recapitulation,utilizing summary,scene,and pause to frame the narrative rhythm of the text.This fully reflects the high level of his singing skills and unique style.
出处
《蒙古学研究(蒙文版)》
2024年第1期75-82,124,共9页
JOURNAL OF MONGOLIAN STUDIES