覃子豪的早年佚信、佚诗与笔名

The Lost Letters,Lost Poems and Pennames of Qin Zihao in the Early Years

《四川晨报·西钟》1933年7月与1934年2月间登载的《来鸿》《来书(代序)》《病后》是覃子豪给友人朱浮沤的三封长函,也是迄今为止覃子豪存世最早的书信。《音乐之泪》《念》《秋柳》《月下》等则是新发现的覃子豪佚诗。经考证,1933年12月1日《孔德文艺》第6期上《浴场》《礼拜六》两诗的作者“戈风”即覃子豪。这些佚信、佚诗等史料蕴含着早年覃子豪个人生活、文坛交往、诗歌创作的丰富信息,展露了诗人早年独特的情感世界与诗歌观念,还体现着诗人努力寻求诗歌风格突破的可贵尝试,表明诗人在烟台、北平时期诗歌产量颇丰,不仅是校内外活跃的文艺青年,而且与来自故乡的朱浮沤等文友一直保持通信交流,切磋诗艺。

'A Coming Swan Goose','A Coming Book'(a surrogate preface)and'After Falling Ill',are three long letters to his friend Zhu Fu’ou by Qin Zihao that were published,respectively in July,1933,and February 1934,in the'West Bells'supplement to Sichuan Morning Paper,and they are also the earliest existent letters of his.However,there are newly discovered lost poems of Qin’s,which are'Tears of Music','Missing','Autumnal Willows'and'Under the Moon'.Two poems,'The Bath Site'and'Saturday',published in Kong De Arts and Literature(No.6,1 December 1933)are Qin Zihao’s even though their author is'Ge Feng'.Historical material like these lost letters and lost poems contains rich information on Qin Zihao’s own life,his dealings with the literary world and his poetic creation,revealing the poet’s unique world of emotions and poetic concepts in the early years,and also reflected his treasured effort in seeking to break through the poetic style,which means that the poet had a plentiful production of poetry while he was in Yantai and Beiping,as he was not only an active literary youth in and outside the campus but he kept correspondence with other literary friends such as Zhu Fu’ou from his hometown,discussing the arts of poetry.