杨晓洁散文集《小城故事》的乡土书写及美学特征

Native-Soil Writing and Its Aesthetic Characteristicsi in Yang Xiaojie's Prose Collection Xiaocheng Stories

21世纪以来,随着国家乡村建设的不断推进,“乡土”也相应成为当代文学的重要主题。不同于以往将乡土视为乡愁,通过想象建构乡土的创作倾向,当代文学界涌现了一大批土生土长的乡土作家,他们以非虚构的写实笔触书写新农村建设以及农村生活的变化,具有重要的文学价值。作家杨晓洁出生于云南西部的小村庄“丰和村”,生活于当地县城“漾濞县”,城乡结合的生活经验使其作品具有典型的乡土书写的美学特质和独特的乡土作家的身份体认,是研究乡土作家非虚构创作美学风格的典型案例。

Since the 21st century,with the continuous promotion of national rural construction,native-soil writing has become an important theme in contemporary literature.In the past,the rural areas were only regarded as a source of nostalgia,and the writers would construct the image of rural areas through imagination.But in contemporary literature,a large number of indigenous writers have emerged to write about the construction of the new countryside and the changes in the rural life in a non-fictional and realistic way,which has important literary value.Yang Xiaojie was born in a small village Fenghe in western Yunnan and is now living in the local county Yangbi.Her life experience endows her works with typical aesthetics of native-soil writing and the unique identity of indigenous writers,which makes her a typical case for studying the aesthetic style of non-fictional creation in native-soil writing.