异境想象与现实摹写:明清小说中洞庭湖书写的双重镜像

Alien imagination and realistic imitation:Double mirroring of Dongting Lake writing in Ming and Qing novels

明清小说中洞庭湖书写呈现出双重镜像之表现,洞庭湖既是一个承载了爱情和神仙的文化记忆的异境空间,又是一个见证了灾害和动荡的历史事实的现实空间,从而表现出既有一脉相承的一致性和前后关联的逻辑性,也有细微隐秘的差异性和前后转化的变异性。这一特性的形成,既与源远流长的洞庭湖文学和文化传统的影响有关,也与明清时期水灾匪患的现实有关,小说家借此表达忧民情怀,思索生命价值,拓展了洞庭湖文学景观的边界。

The"Dongting Lake"writing in the novels of the Ming and Qing dynasties presents a double mirror image,which is not only a foreign space that carries the cultural memory of love and immortals,but also a realistic space that witnesses the historical facts of disasters and turmoil,thus manifesting the consistency with the same inheritance and logic of the relationship between the past and present,as well as the subtle and hidden differences and the variability of the transformation before and after.The formation of this characteristic is not only related to the influence of Dongting Lake literature and cultural traditions,but also related to the reality of floods in the Ming and Qing dynasties.In this way,the novelists express their sentiments and concerns for the people,reflect on the value of life,and expand the borders of Dongting Lake literary landscape.