德勒兹的电影哲学:从巴赞到戈达尔

Gilles Deleuze’s Philosophy of Film: From André Bazin to Jean-Luc Godard

德勒兹从哲学转向电影研究,是在巴黎第八大学的电影学科建立与《电影手册》从激进左翼转向法国理论的双重背景下完成的。德勒兹的电影哲学受到了巴赞影像本体论的影响,他们都在柏格森哲学中获得启发。戈达尔的作品是德勒兹与《电影手册》关系变化的关键,他对戈达尔《六乘二》的访谈文章成为他电影哲学的转折点,其中已蕴含两卷本中的影像分类学方法,以及从“控制社会”出发的“反信息”电影本体论。戈达尔对德勒兹的电影哲学有总体性的影响。

Deleuze’s shift from philosophy to film studies occurred under the combination of two contexts,namely the establishment of film department at University of Paris 8 and the transition of“Cahiers du cinéma”from radical leftism to French theory.Deleuze’s film philosophy was influenced by Bazin’s ontology of the image,both drawing inspiration from Bergson’s philosophy.Godard’s work was pivotal in Deleuze’s evolving relationship with“Cahiers du cinéma,”with his interview on Godard’s Six fois deux serving as a turning point in his film philosophy,which encapsulates his classification method and the ontology of“anti-information”cinema stemming from a“society of control”perspective.In general,Godard had great influence on Deleuze’s film philosophy.