摘要
齐泽克和波德维尔的学术论争,常被归为“中等层面”与“宏大理论”的范式之争。两人确有分歧,但都反对相对主义,尤其是文化研究中的相对主义。对于波德维尔和“后理论”来说,相对主义拒绝真实的确定性,强调主体认同的多元性。齐泽克则质疑文化研究的反本质主义,悬置真与假的基本判断。齐泽克当年的质疑发展出“后电影”版本,如对连续剪辑、叙事功能的再讨论。“后电影”不是前述理论论争的消弭,而是其新挑战和再发展。
The academic debate between SlavojŽižek and David Bordwell is often regarded as the paradigm debate between“middle-level”and“grand theory”.There are differences between the two scholars,but both oppose relativism,especially in cultural studies.For Bordwell and the“post theory”,relativism rejects the truth.Žižek questioned the anti-essentialism of cultural studies,which suspended the basic judgment of truth and falsehood.Žižek’s doubts developed a“post-cinema”version,such as the function of continuous editing and narration.“post cinema”is not the elimination of the above theoretical debates,but its new challenge and re-development.
出处
《电影艺术》
北大核心
2024年第3期41-48,共8页
Film Art
基金
国家社科基金一般项目“主体介入与现实主义发展新阶段研究”(批准号:20BZW007)阶段性成果。
关键词
波德维尔
齐泽克
后理论
后电影
认知主义
SlavojŽižek
David Bordwell
post-theory
post-cinema
cognitivism