《乘船而去》:对真理的探寻无法脱离苦痛

Gone with The Boat : The Search for Truth Cannot Be Separated from Pain

在《乘船而去》展开的“即将”的时间结构中,文本的指涉性和故事性被压缩到最低限度,影片通过呈现彻底的物质性、客观性和纯粹的生活质感,营造出具有整体性和弥漫性的氛围影像。影片中每一个人的“症状”都指向存在之痛。在“即将”的时间之流和自我觉知的过程中,主人公们渐渐摆脱高度共时化的社会空间,进入自在生成的内在性空间,从而与“某一个世界”紧紧相连,获得充盈的生命力,并达至与他人心灵的会合。

In the“imminent”time structure of Gone with The Boat,the referential and narrative aspects of the text are compressed to a minimum.And this time structure construct a holistic and diffuse“atmosphere image”by presenting a thorough materiality,objectivity and the pure life texture.The“symptom”of each person in the film points to the existential pain.In the process of“approaching”time flow and self-awareness,protagonists gradually get rid of the highly synchronic social space and enter a self-generated inherent space,fostering a profound connection with“some world”.Thus they obtain full vitality and reach the rendezvous with others’hearts.