印度电影的反殖民叙事与民族想象

Anti-Colonial Narratives and National Imagination in Indian Cinema

印度反殖民电影经历了生成期、策略期、重塑期三个阶段。殖民时期,它在抵抗英国殖民统治的政治实践中产生,呈现了“地理印度”“母亲印度”“国家印度”的共同体想象。经济自由化时期,反殖民电影策略性地将斗争叙事转化为竞争叙事,在柔性叙事中确立印度民族文化的精神优势。莫迪政府时期,通过将反殖民历史纳入印度教徒反抗外来侵略的历史谱系,建构起“印度教徒民族”想象,反殖民电影叙事呈现出从世俗民族主义到印度教民族主义转向的趋势。

Indian anti-colonial cinema evolved through three eras:generative,strategic,and reshaping.During the colonial period,it emerged from the political practice of resisting British colonial rule,presenting the community imagination of“geographic India”,“mother India”and“national India”.With economic liberalization,anti-colonial cinema was strategically transformed,narratives of competition replacing one es of struggle,flexibly establishing the spiritual superiority of Indian national culture.Under the Modi government,the imagination of the“Hindu”has been constructed by incorporating anticolonial history within a genealogy of Hindus’resistance to foreign aggression,thereby shifting from secular nationalism to Hindu nationalism.