劉墉與清代雜書軸

Liu Yong and the Hanging Scrolls in Miscellaneous Scripts of the Qing Dynasty

晚明時期,書法形制迎來較大變化,行草巨軸與雜書卷册頗爲流行,這兩種形制都滿足了觀衆不同的視覺趣味。明清鼎革後,清人試圖將雜書卷册搬演到立軸之上,創作出了一種特殊形制的立軸,即雜書軸。論文試圖以雜書軸爲研究對象,分析其背後由觀衆與作者互動形成的特殊趣味,并進一步討論清代産生這類立軸背後更爲複雜的視覺環境。

In the late Ming dynasty,the format of calligraphic works changed greatly and large hanging scrolls in running and cursive scripts,as well as handscrolls and albums in miscellaneous scripts became very popular.These formats responded to the audience's different visual interests.After the establishment of the Qing dynasty,attempts were made to transfer the miscellaneous scripts found in handscroll and album formats onto the hanging scroll format,creating a unique form of hanging scroll,namely the hanging scrolls in miscellaneous scripts.By taking the hanging scrolls in miscellaneous scripts as its object of study,the present paper analyses the underlying special judgment of taste formed by the interaction between audience and calligrapher and discusses the complex visual culture background against which this kind of hanging scroll was produced.