跨界经验、文化重构与双重视野——万玛才旦的“后身份”建构与电影创作分析

Cross-border Experience,Cultural Reconstruction and Dual Vision:An Analysis of Pema Tseden's Post-identity Construction and Film Creation

作为藏地新浪潮的旗手人物,万玛才旦的电影创作被视为藏地电影叙事主体表达的先驱,然而他以冷峻的视角审视藏地现实的本真面貌,使得主体表达与客体审视之间表现出一种悖谬的逻辑,但这种悖谬在万玛才旦电影中却恰切地融贯在一起,这得益于万玛才旦跨界性的生命历程以及在不同的文化结构之中迁移之后所寻获的多样化视野。后现代主体多元、差异且流动的身份特征所导向的是文化主体创作视野的复杂化,这应和了万玛才旦的个人生平与创作特征。因此,经由对万玛才旦身份问题的探讨,可以探究万玛才旦创作风格形成的内在逻辑。

As the flag-bearer of the Tibetan New Wave,Pema Tseden's film creation has been regarded as the pioneer in expressing the narrative subjectivity of Tibetan films.However,he examines the true face of Tibetan reality from a stern perspective.There is a paradoxical logic between subjective expression and objective scrutinization,but the two are properly integrated in Pema Tseden's films due to Pema Tseden's cross-boundary life history and the diverse horizons he has acquired through migration across different cultural frameworks.The postmodern subject's pluralistic,differentiated,and fluid identity characteristics lead to the complexity of the cultural subject's creative vision,which corresponds to Pema Tseden's personal life and creative features.Therefore,this paper aims to explore the internal logic of Pema Tseden's creative style through the discussion of his identity.