论侯孝贤电影悲剧美学的创作手法

Research on the Tragic Aesthetics Techniques of Hou Hsiao-hsien's Films

侯孝贤电影的底色是“苍凉”,其电影主题彰显出浓重的悲剧意识,体现了中华文化“哀而不伤”的诗教传统。侯孝贤电影的悲剧美学手法不仅是对传统电影语言的创新,也是其传达悲剧精神的有力载体。探究了侯孝贤电影的悲剧镜头语言、悲剧抒情方式和悲剧意境,凸显侯孝贤电影作为一种悲剧审美形态的价值,不仅是对美与真实的坚守,更是对生命伦理的一种传承。

The background color of Hou Hsiao-hsien's films is"desolation",and the themes of his films show a strong sense of tragedy.His films also promote the moderate and peaceful spirit which represent a feeling of"sorrow but not hurt"in a tradition of Chinese poetry education.The tragic aesthetics techniques of Hou Hsiao-hsien's films is not only an innovation of traditional film language,but also a powerful carrier for conveying the tragic spirit.This article mainly explores the tragic lens language,tragic lyricism and tragic artistic conception of Hou Hsia-hsien's films,thereby highlighting the value of Hou Hsiao-hsien's films as a tragic aesthetic form,which is not only an adherence to beauty and truth,but also a inheritance of bioethics.