对话与关怀——澳门地区美术的时代形象

Dialogue and Care: The image of Macao region Fine Arts in the New Era

澳门地区形象的多元化不仅体现在文化特性中,更体现在其地域美术形象上。作为西方传教士与探险者抵达中国的桥头堡,澳门地区的历史形象被东西文化双向塑造,对东西艺术的兼容并蓄也成为其一大特征。毕竟澳门地区美术不同于其他地域美术,并无太多传统可供借鉴“模仿”,但无论是钱纳利还是高剑父,都为澳门地区留下了面对生活、内外双向探寻与自我关怀的艺术“传统”,在缔造澳门地区“对话式”美术与文化的同时,构建了其地域美术形象。

The diversity of Macao's image is reflected in not only the regional cultural characteristics,but also in the images shown by fine arts works of the region.The image of Macao region,a bridgehead for Western missionaries and overseas explorers in China,has been reshaped by both eastern and Western cultures,contributing greatly to its major characteristic of inclusiveness of eastern and Western art.Anyway,Macao region fine arts is different from that of other regions,with few traditional ones to imitate.However,both Chinnery and Gao Jianfu have left for Macao region because of the artistic"tradition"of life-facing,intro-and extra-exploring and self-caring practice,and built its regional art image while creating the"dialogue-mode"art and culture of Macao.