从刘辰翁对孟浩然诗歌的评点中观其文学观念

Liu Chenweng’s Literary Concepts Analyzed from His Comments on Meng Haoran’s Poetry

刘辰翁作为宋末元初的作家和文学批评家,较为全面地评点了孟浩然诗歌的艺术风格、篇章结构、语言修辞等。从刘辰翁对孟浩然诗歌的评点中可以管窥其文学观念,总结下来大致有三个方面:“尤贵情真”的思想观、“流荡自然”的创作观和“审美会意”的批评观。刘辰翁这三方面的文学观念是相互联系的,追求情感真挚的文学思想决定了他在创作方面崇尚自然、在批评方面注重审美的主基调。刘辰翁的文学观念是接近文学本质的,他注重文学的生命化和情感性,重视读者的内心体验。

As a writer and literary critic in the late Song and early Yuan Dynasties,Liu Chenweng comprehensively commented on Meng Haoran’s poetry in terms of the artistic style,textual structure,language rhetoric,and so on.Based on his comments on Meng Haoran’s poetry,this research explores his three interrelated literary concepts:the ideological concept of“sincere emotions”,the writing concept of“fluent naturalness”,and the critical concept of“aesthetic appreciation”.Liu Chenweng’s literary thought for pursuing emotional sincerity contributes to his viewpoints to advocate naturalness in terms of writing and aesthetics in terms of criticism.Liu Chenweng’s literary concepts approach the essence of literature,because he paid attention to life-orientation and emotionality of literature and the inner experience of readers.