摘要
萨特以自己的方式,用胡塞尔的现象学意向性方法,直接描述日常生活场景,搁置了传统哲学的概念先见或者某种间接性,从而以陌生的眼光看待以往所熟悉的事物,体验到某种莫须有的思想情趣,从中发展出生存意义上的美学趣味。它是以新奇的目光发明出来的,与“上手”的物件与周围环境息息相关,催生了一种走在哲学与文学之间的美学分析。
In his unique fashion,Sartre describes directly living scenes in Husserl's phenomenological intentionality and suspends conceptions or indirectness in traditional philosophy.This enables him to treat familiar things unfamiliarly,experience a strange interest of thinking,and develop an existential taste of aesthetics.Derived from an ingenious insight,this forms such a close relationship with ready made objects and their surroundings that it gives rise to an aesthetic analysis between philosophy and literature.
出处
《浙江学刊》
北大核心
2024年第3期45-52,238,共9页
Zhejiang Academic Journal
