马一浮经学-哲学系统的理论特色——从“解释学循环”的角度看

The Theoretical Features of Ma Yifu's Confucian Classics-Philosophy System:An Examination from the Perspective of the"Hermeneutic Circle"

“六艺论”是马一浮思想学术的基本架构。马一浮的六艺论既是一个经学的系统,同时又是一个思想或哲学的系统。马一浮自觉继承孔子以来“寓作于述”的立言传统,通过六艺论经学系统的建构来表出其哲学思想。他的六艺论,在“道”“道术”的层面上,把六经理解为一个内在相互关联的义理系统和意义整体,通过统类、总别、经义,以及始教和终教间的交涵互摄、互通互诠来揭示义理,形成了一个具有“解释学循环”结构特征的经学诠释体系和哲理体系。马一浮这一注重经典自身生命整体性和思想连续性的学术理路,在民国以来中国学术界“分门别类,务为专家”的学术潮流中,可谓空谷之足音,对于我们思考中国思想文化的当代建构,具有重要的启示意义。

The"Six Arts Theory constitutes a fundamental framework of Ma Yifu's academic thought,which both serves as a system for his studies on Confucian classics and his own philosophy.Consciously inheriting the long-standing tradition of explicating works ever since Confucius,Ma Yifu manages to express his ideas by constructing the Six Arts Theory within the Confucian classics system.At the level of"Dao"and"Dao-Shu,'Ma Yifu interprets the Six Classics as an internally-connected system of meanings,therefore not only revealing significances in the process of classification,differentiation,explanation,as well as mutual integration and interpretation,but also forming a hermeneutic circle in his interpretation of Confucian classics and his own philosophical system.Ma Yifu's emphasis on the holistic existence and intellectual continuity of Confucian classics stands out amidst the trend of specialization in modern Chinese academia,in that it provides significant insights for contemporary reflections on constructing the modernity of Chinese thought and culture.