再现、象征、表征——西方古典绘画中的镜像叙事

Reproduction,Symbolism,Representation ——Mirror Narration in Western Classical Painting

镜像如何叙事,呈现出再现观念的变迁。宏观来看,西方古典绘画中的镜像经历纯粹再现、象征、表征的叙事流变。纯粹的镜像叙事忠实遵守传统再现法则,一方面具有话语隐喻性,另一方面彰显传统艺术的审美追求。基于再现的象征叙事,在具象再现与宗教象征的双重功能中达到平衡。偏离再现的表征叙事仍未脱离再现原则,从哲学层面实现了艺术家对自我的关照。镜像三种叙事方式根植于古典再现型范式,镜像叙事的功能与主题的变化反映艺术与现实之间的多重关系,不断扩充艺术再现论核心观念,为镜像叙事意义的研究提供契机。

How does the mirror narrate and present the changes in the concept of reproduction?From a macro perspective,the narrative evolution of the mirror image in Western classical painting has traversed the realms of pure reproduction,symbolism,and representation.Pure mirror narrative faithfully adheres to traditional reproduction rules,which on the one hand bears discursive metaphorical qualities,and highlights the aesthetic pursuit of traditional art on the other hand.The symbolist narrative,rooted in reproduction,strikes a balance in the Dwifungsi of concrete reproduction and religious symbol.Deviating but still not detached from the reproduction principle,the representation narrative achieves the artist's care of the self at a philosophical level.These three narrative modes of mirror image are rooted in the classical paradigm of representation.The shifting functions and themes within miror image narrative re-flect the multiple relationships between art and reality.continuously expanding the core concepts of art representation theory.This provides an opportunity for the study of the significance of mirror image narrative.