摘要
《中国音乐大典·音像编》共收录16521条京剧音乐作品,所收作品的时间范围为1898—2016年,此时段与社会政治变迁、京剧题材的变化相关联,与中国传媒行业发展进程相重叠,音像媒介的普遍应用很大程度上丰富了京剧音乐作品以往的传播生态,这对于京剧音乐的推广具有重要意义。因此,大典所载数据需要依托传播学相关理念,来探寻音像记录下的京剧艺术变革历程,分析和探讨数据生成的背后原因,以此明确京剧艺术的音像传播及其他相关问题。
The"Encyclopedia of Chinese Music:Audio-Visual Edition"includes a total of 16,521 Peking Opera music pieces,with the collected works spanning from 1898 to 2016.This period is associated with socio-political changes and the evolution of Peking Opera themes,overlapping with the development of China's media industry.The widespread use of audio-visual media has significantly enriched the previous dissemination ecology of Peking Opera music,playing a crucial role in promoting Peking Opera music.Therefore,the data included in the encyclopedia requires exploration based on communication theories to investigate the artistic evolution of Peking Opera as documented in audiovisual records.This involves analyzing and discussing the underlying reasons for data generation,to clarify issues related to the audio-visual dissemination of Peking Opera art and other related matters.
出处
《中国音乐》
CSSCI
北大核心
2024年第3期96-106,205,共12页
Chinese Music
基金
2022年度中国音乐学院博士课题经费资助项目“中国戏曲音乐作品数据描述体系研究”(项目编号:20222001/014)的研究成果
关键词
中国音乐大典
传统音乐
戏曲音乐
京剧音乐
剧目
数据统计分析
Encyclopedia of Chinese Music
Traditional Music
Opera Music
Peking Opera Music
Repertoire
Data Statistical Analysis