乡土与家族的魅影——论邵丽小说创作

Phantom of the Native Land and Family:On Shao Li's Novel Composition

城乡关系、家族记忆一直是邵丽创作的重要母题。《金枝》与《黄河故事》更是将城乡与家族有效联结,以家族为切入点,从细微处透视整个中国社会、历史的变革。纵观邵丽二十余年的创作历程不难发现,家族、乡土、阶级在其早期作品中进行了阐述,但邵丽在当下进行了重述,城乡矛盾变得复杂而多变,家庭的痛苦也随着父辈的逝去而释怀,其创作的转变与邵丽所面对的社会现实与童年记忆不无关系。随着不断重述,邵丽形成了稳固的个人风格,摆脱乡土与家族的魅影或是其实现自我突破的必要途径。

The relationship between the urban and rural areas,and the memory of the family serve as the important themes of Shao Li's writing all the time.The Golden Branch and The Yellow River Story effectively con-nect the urban and rural areas with the family,using the latter as an entry point to scrutinize changes in Chinese society and history.Throughout over twenty years of her writing,it is not difficult to find that the family,country-side,and class were elaborated in her early works,but when she currently retells them,the urban-rural conflicts become complicated and changeable,the family's pains are released with the death of her father's generation,and the transformation of her writing is not unrelated to social reality and childhood memory that she faces.With con-tinuous retelling,she has come to form a solid personal style,and getting rid of the phantom of the native land and family might be a necessary way for her to realize her own breakthrough.