浅论近年来中国扶贫剧的结构新变与叙事突围

New Structural Changes and Narrative Breakthroughs in Chinese Poverty Alleviation Dramas in Recent Years

近年来,我国陆续出现讲述“脱贫攻坚”工作的现实主义题材电视剧。这些扶贫剧在叙事结构中建立起诸多相似的“三角模式”,即通过对三类人物角色的形塑建构起相对闭合而又具有流动属性的叙事冲突。在此基础上,可进一步剖析扶贫剧在叙事模式建构上的新变,发掘其中充分利用影像视听语言营造的富有乡土情怀的现实主义多元景观。与此同时,扶贫剧通过扶贫主体的觉醒与确立,传达当下社会价值体系与意识形态观念,进而完成了将个人身份认同与地方性书写逐渐融合进想象共同体的扶贫叙事。

In recent years,there have been many realist-themed TV dramas in China that depict the work of poverty alleviation.These poverty alleviation dramas have established a number of similar narrative structures,which can be described as triangular patterns through the shaping of three types of characters with a relatively closed but fluid narrative conflict.On this basis,further analysis can be conducted on the new changes in the internal narrative mode of poverty alleviation dramas,and the diverse views rich in local sentiment and realism created by fully utilizing visual and auditory language can be explored.At the same time,poverty alleviation dramas convey the ideological concepts of the current social value system and historical culture through the awakening subjects of poverty alleviation,thus completing the narrative by integrating individual and local identity recognition into the imagined community.