期刊文献+

《历代名画记》体例结构及相关问题研究

On the Structure and Related Issues of the Notes of Past Famous Paintings
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摘要 张彦远的《历代名画记》是中国历史上第一部系统且完整的画学著作,近代学者余绍宋将其称为“画史之祖”,可见其地位之高和影响之广。迄今为止,研究《历代名画记》的学者不在少数,但由于版本众多以及文字标点的遗漏或改变,很容易使人造成理解上的错误。本文将近代以来俞剑华、承载以及朱和平等校注的几个不同版本的《历代名画记》进行对比,试着找出其中的错漏问题及对句子的不同理解进行对比和分析。 Yanyuan Zhang’s Notes of Past Famous Paintings is the first systematic and complete work on painting in Chinese history,and Shaosong Yu,a modern scholar,has called it“the ancestor of painting history”,which shows its high status and wide influence.Up to now,there are many scholars who have studied this book,but due to the numerous editions and the omission or change of textual punctuation,it is easy to make mistakes in understanding.This paper made comparisons of different editions of the Notes of Past Famous Paintings annotated by Jianhua Yu,Chengzai and Heping Zhu in recent times,and intends to find out the errors and omissions and the different interpretations of sentences in them for further comparison and analysis.
作者 刘婧禹 LIU Jing-yu
出处 《民族艺林》 2024年第1期122-130,共9页 Journal of Ethnic Art
关键词 《历代名画记》 张彦远 版本 问题 Notes of Past Famous Paintings Yanyuan Zhang versions questions
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