真美:“澄明之境”的审美化及其意义

True Beauty:The AAestheticizationor"the Realm of Clearing"and Its Significance

把进入澄明之境视为一种审美,这是20世纪审美观念的新变。主体的澄明状态,是主体的自在、自如与自由状态;对象的澄明状态,是其无目的的、自在的、自由的无蔽状态,二者的统一构成了“澄明之境”这个词的基本内涵。澄明之境的审美化,肇始于光照论和德国古典美学的审美对象理论,在海德格尔的美学之思中得以成型,并在东方哲学的应答中真正完成。澄明本身的光照感会使人获得自由愉悦,这是一种感知到真我的纯粹存在与世界的纯粹存在之时精神上所获的超越性愉悦。澄明之境是“真美”之境,是自由之境与真理之境的统一,是心灵愉悦的最高状态,也是审美所能达到的最高状态。

It is a new change in the concept of aesthetics in the 2Oth century to regard entering"the realm of clearing"as an aesthetic study.The subject's clearing is a state of"in itself,"and self-fulfilled freedom.The object's clearing is an aletheia state,purposeless,"in-itself,"and free.And the unity of the two constitutes the basic connotation of the term"clearing."The aestheticization of"clearing"originated from the theory of illumination and the aesthetic object theory of German classical aesthetics,took shape in Heidegger's aesthetic thinking,and was actually completed in the response of Eastern philosophy.The sense of illumination of clearing itself leads to the free pleasure,which is a transcendent pleasure of the spirit when one perceives the pure existence of the authentic self and the pure existence of the world.The clearing is the realm of"true beauty,"the unity of the realm of freedom and the realm of truth,the highest state of spiritual pleasure,and the highest state of aesthetics that can be achieved.