丝绸之路多元文化交流的图像研究——以大同沙岭七号墓乐舞图像为中心

Image Study of the Multicultural Communication along the Silk Road——Focusing on the Music and Dance Images in Shaling Tomb No.7 in Datong

3—6世纪期间,我国中原音乐文化经历了先向周围传播而后又回流到中原的过程,而在此期间河西走廊一带是保存中原文化与接纳西域各民族文化的重要枢纽。通过对大同沙岭七号墓中以乐舞图像为中心的相关历史事实的具体考证,并将其与同时期丝绸之路出现的相似图像进行对比,可知大同沙岭七号北魏墓中的乐舞图像的具体内容应是来源于我国的西北地区,这进一步体现了丝绸之路多元文化交往交流交融的重要性。

From the 3rd century to the 6th century,China’s Central Plains music culture experienced the process of spreading to the surrounding areas and then reentering the Central Plains.During this period,the Hexi Corridor in northwest China was an important hub for preserving the Central Plains culture and accepting the cultures of various ethnic groups in the Western Regions.Through the specific research on the historical facts related to the music and dance images in Shaling Tomb No.7 in Datong,and the comparison with similar images along the Silk Road of the same period,we can find that the specific contents of the music and dance images in Shaling Tomb No.7 of Northern Wei Dynasty in Datong should derive from the northwest of China,which further reflects the importance of multicultural exchanges,interaction and integration along the Silk Road.