中、哈哈萨克族舞蹈文化建构模式的异同

An Analysis of the Similarities and Differences in the Construction Models of Kazakh Dance Culture between China and Kazakhstan

舞蹈文化建构是指在特定文化背景下,人们对舞蹈的创作、表演、传承和观赏等活动,逐渐形成和发展的一种独特的文化现象。民间舞蹈是民族文化的重要组成部分,是传统文化的珍贵载体。本文立足于“一带一路”的广阔视野,依托笔者三十载深耕中国哈萨克族舞蹈的学习、调研与研究之丰富经验,并融入近年来对哈萨克斯坦哈萨克族舞蹈的持续探索与剖析,以此为基石,深入比较两国舞蹈工作者在哈萨克族舞蹈文化建构方面的异同与策略,旨在提炼和总结有助于中国哈萨克族舞蹈持续健康发展的宝贵经验,为其未来的繁荣与进步提供有益的借鉴与启示。

The construction of dance culture refers to a unique cultural phenomenon gradually formed and developed by people's composing activities,performing,inheriting,and appreciating dance in a specific cultural context.Folk dance is an important component of ethnic culture and a precious carrier of traditional culture.With the vision of"the Belt and Road",and the author's 30 years of experience in the study,survey,and research of Kazakh dance in China,and on the basis of the author’s continuous exploration and analysis of Kazakh dance in Kazakhstan in recent years,this paper compares and contrasts the strategies and the construction of Kazakh dance culture practiced by dance workers between China and Kazakhstan,aiming to extract and summarize valuable experience that contributes to the sustainable and healthy development of Kazakh dance in China,and provide useful reference and enlightenment for its prospective.